Writing Poetry Elementary, General English, An Urban...

1. Context: 12th grade, general English, in an urban setting with the student population totaling around 2,000. 2. Broad, Lifelong Goal/s Rationale: †¢ Using poetry in the classroom is a great way to build classroom community among the students and teacher. †¢ Writing poetry is a great way to deal with stress and emotions using these skills, students can write poetry to help them make sense of their emotions and feelings. 3. Specific Daily Objective: †¢ Today students will learn how to write poetry that uses real life experiences and real life events interwoven together effectively. †¢ Students will learn how to incorporate specific details and sensory language in their writing. 4. Common Core Standards: CCSS.ELA-LITERACY.W.11-12.3.D Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters. 5. Assessment and/or Outcomes: †¢ Students will receive (formative assessment) process points for the brainstorming handout. †¢ For the final draft of their poem students will be given a summative assessment based off of the rubric-scoring guide. 6. Bloom’s Taxonomy: †¢ Comprehend †¢ Apply 7. Language Requirements: †¢ Tier 2: Determine, Compare, Contrast, Apply, Analyze †¢ Tier 3: Stanza, Line, Verb, Reflect, Code Switching, Home Language, Standard English 8. Materials: †¢ â€Å"Raised by Woman† Poem (See Appendix) https://brown.digication.com/MsHawkins/I_Was_Raised_By †¢ Who were youShow MoreRelatedMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesChicago Press, Chicago 60637  © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation  © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6 7 8 9 10 Library of Congress Cataloging-in-Publication Data Metz, Christian. [Essais sur la signification au cinà ©ma. English] Film language: a semiotics of the cinema / Christian Metz: translated by Michael TaylorRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 PagesPerspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in Recent America Joanne Meyerowitz, ed., History and September 11th John McMillian

Brams Stokers Dracula Essay Example For Students

Brams Stokers Dracula Essay Chapter 7 of Brams Stokers Dracula seems to be a pivotal chapter in the overall novel due to the arrival of Dracula on to Whitby. The chapter is split up into three different sections each from a different viewpoint and in a different format. Firstly there is the newspaper cutting which goes into detail on the events that occurred leading up to the ships arrival on the shore. Following that came the Log of the Demeter written by the captain himslef as he saw the events take place on board. Finally the chapter ends with another entry into Minas journal. It is important to note that while all three are very unique in their own ways, there is one common link between them all and that is the fact that all three are written in a format which strictly follows Stokers techniques in previous chapters of the novel in which he adds authenticity to the oevrall story by writing it in different viewpoints of people who were actually there in amongst the surroundings and the plot. The story is never told from any sort of a narrative and this is seen clearly in the three examples in chapter 7. In the newspaper cut out, as soon as we read the first paragraph it is evident that Stoker is using his techniques which were used in previous chapters such as the vivid descriptions of the natural settings shown by the use of words such as beautiful, grand and splendidly-coloured to begin with and breaking it up by bringing in hints of menace in refrences made to the coming of a sudden storm and the absolute blackness as he did when Harker was describing his coach journey to the Counts castle. By carrying out this set pattern at the beginning of the chapter Stoker gives the reader a sense of involvement in the actual plot as if the reader was actually there experiencing the storm. Stoker frequently refers back to the theme of nature throughout the novel and this is portrayed by his description of the eery atmosphere likened to the approach of thunder, this is a powerful technique of Stokers as he likens a lot of scenarios with nature as it is one of the few things that every person knows and experiences and would therefore be familiar with the message and ideas that Stoker is trying to get across. Another trend that begins to appear is the frequent links that stoker makes to previous figures in history, most famously in chapter 3 where he mentions Attila and the Huns while in chapter 7 the significance of the ships name is apparent since Demeter was a Greek goddess invoked as the bringer of seasons and therefore fits in perfectly with the arrival of Dracula and death. In the captains log, the previous standard form of private journals that are quite personal is strayed away from and the story is now told through a less impersonal viewpoint of the captain in his log book. This part of the story involves less emotion from the writer and resembles more of a list of events next to their date rather then a chapter of the novel. The captains lack of any real emotion is portrayed by his bluntness in saying only self and mate and two hands left to work ship. Stoker does this specifically to keep all the readers attention on Dracula and the inevitability of his arrival rather then get distracted on the emotions of a minor character. Again as with all previous chapters, Stoker ends on a mysterious cliffhanger in this case being that no trace has ever been found of the great dog and that there still remains the mystery of the sea. Both of these are not as mysterious as they sound to the reader as they know about Dracula but what Stoker is trying to do here is to create the authenticity that has been everpresent throughout. .u87a9f91fb05c62e8d444d6c8f7feb2c6 , .u87a9f91fb05c62e8d444d6c8f7feb2c6 .postImageUrl , .u87a9f91fb05c62e8d444d6c8f7feb2c6 .centered-text-area { min-height: 80px; position: relative; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 , .u87a9f91fb05c62e8d444d6c8f7feb2c6:hover , .u87a9f91fb05c62e8d444d6c8f7feb2c6:visited , .u87a9f91fb05c62e8d444d6c8f7feb2c6:active { border:0!important; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .clearfix:after { content: ""; display: table; clear: both; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u87a9f91fb05c62e8d444d6c8f7feb2c6:active , .u87a9f91fb05c62e8d444d6c8f7feb2c6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .centered-text-area { width: 100%; position: relative ; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u87a9f91fb05c62e8d444d6c8f7feb2c6:hover .ctaButton { background-color: #34495E!important; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u87a9f91fb05c62e8d444d6c8f7feb2c6 .u87a9f91fb05c62e8d444d6c8f7feb2c6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u87a9f91fb05c62e8d444d6c8f7feb2c6:after { content: ""; display: block; clear: both; } READ: Beowulf And Monster EssayAlthough Minas entry into her journal is quite short, a lot can be deducted from it. Obviously the focus is on Mr Swales death and this is a very ironic event due to earlier Mr Swales commenting that death is coming and the simultaneous arrival of Dracula as Mr Swales seen death with his dying eyes in Whitby. Not only is this a sign to the reader but is also a warning to Mina and foreshadows the events later in the novel. Another focus of this journal entry is Lucys behaviour recently, mainly her sleep-walking habits which seem to show her as a sexually repressed woman in society which links back to Stokers focus of the role of women in society and the particular dangers of new women. Mina also worries about Lucys ability to cope with current life situations with the repetition of sensitive and sweet. One such instance is during the funeral when Lucy is troubled by the Dogs behaviour and this is a very vital scene as not only does it relate to Draculas ethinity with dogs but throughout the novel animal imagery is used as a motif in this case causing an eery atmosphere and again building up the tension towards the end of the chapter. Overall, I feel chapter 7 plays a vital role in developing the plot so that the reader can clearly see the changes in Whitby from Draculas arrival, from the newspaper cut out of the mystery of the sea it can be seen that this is the only time the public and outside world have gotten really involved as previously the novel was told through journals and therefore must signify something significant is about to take place. Other changes shown are the sudden change in Lucys behaviour and probably most significantly the death of Mr Swayles, indicating probable future events.

The Sound of Music Essay Example For Students

The Sound of Music Essay The Sound of Music film and its musical compositions are iconic and thus a necessity to watch for all those who have not been touched by this uplifting musical. The music is originally by Richard Rodgers and lyrics by Oscar Hammerings II and the numbers are sung by Julie Andrews and the rest of The Sound of Music cast. Instrumental underscore passages were adapted by Irwin Costal. Edelweiss, thought by some to be a traditional Austrian song or even the Austrian national anthem was written expressly for the musical by Rodgers ND Hammerings. Originally unknown in Austria, it has been promoted heavily there ever since, especially in Salisbury. The songs How Can Love Survive? , An Ordinary Couple, and No Way to Stop It were not used in the film version. The omission of those songs had to be approved through Richard Rodgers. We will write a custom essay on The Sound of Music specifically for you for only $16.38 $13.9/page Order now There were four extra children singing with the ones onscreen to add more effect to their voices, including Darleen Carr, Chairman Cars younger sister. However, these were unaccredited. Darleen Carr sang Curts high voice, during the reprise and sad versions of the title Eng, as well as the high Bye in the song So Long, Farewell, and later for Greet in its reprise towards the end of the film. 2. Make-up, coiffure, and costumes In the make-up department, there is Margaret Donovan and Ray Forman as the hairstylists; Ben Nee and Willard Blue as the make-up artists. The costumes were designed by Dorothy Jenkins. The make-up department and the costume designer really changed the cast to their characters. 3. Acting and the stars Director Robert Wise and his casting consultants were widely recognized as having done a superb Job in assembling a cast that included so many unknown, but very talented names. After an extensive search and more than two hundred auditions, the children were chosen, not Just for their acting and singing skills, but also for their personality and presence. Many of The Sound of Music actors and actresses formed a strong bond with each other, a camaraderie that still lasts today. Julie Andrews was Hollywood most promising up-and-coming musical star when she was chosen to play

Michael Jordan essays

Michael Jordan essays Michael Jordan the greatest basketball player of all time. In this biography I will explain why he is looked at as the king of basketball. I will mention his championships as a collegian and NBA player, second of all his MVP trophies from the all-star games, and last but not least the great records that he has set. The reason I choose Michael "Air"Jordan is because he is successful in the game that I love to play so much. He has been in the places and situations that I dream of being in. The first of many championships begun in college. The collage of the North Carolina Tar Heels. , Michael's Tar Heels competed against Patrick Ewing's Georgetown Hoyas for the number one ranking all year. It finally boiled down to the championship game in which both teams were back and forth for the lead. One would get the lead then the other would score and get the lead. Both teams were full of future all-stars even hall-of-famer including Michael.The game came down to seconds, and one basket Who di d that basketball go to? Ewing, Worthy maybe Sam Perkins? Non of them, it was Michael "Air" Jordan. That kicked off his championship spree as he went on to collect five more with NBA's Chicago Bulls. To add to all the championships and people who say he's the best basketball player ever, Jordan has added many MVP trophies to his repertoire. He has won more MVP trophies than Larry Bird, Magic Johnson or even Isiah Thomas and that is to name a few. Some say the voters are biased to him because for his past accomplishments but you cant argue with all the championships records. Michael has at least one more MVP to get in him. The numerous amount of records that Michael has made and sometimes just plane shattered old records is another thing that caused him to be the best. Some records he has set of consecutive scoring titles, best free throw percentage in a season and much more. Some of the records that are not mentioned when people are raving about the king ...

Marketing And Social Network Thesis Example | Topics and Well Written Essays - 3500 words

Marketing And Social Network - Thesis Example Appendix†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..18 11. References.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦21 Abstract: The aim of this study is to determine the relationship of marketing, or in specific, viral marketing and social networks with each other with the help of a sound theoretical framework. The framework thus developed managed to form a study that points out dimensions that ensure a testable hypothesis. The study finds the relationship and interdependency of marketing and social networks on each other and questions whether the data collected by the social marketing intelligence is an ethical dilemma or not. The study is conducted with t he help of a small scale survey and formal interviews that have been conducted over a college premises. The data thus collected is effectively analyzed to find answers to the research questions developed. It has been concluded that the variables under discussion, the viral marketing and social networks, are directly linked to each other and both have aided the advancement of each other over the growth cycle. 1. Introduction: Marketing is a business technique in which a marketing message is spread to the people by several means, with the aim of creating value for customers. This phenomenon encourages and facilitates marketers to increase brand awareness, aids product/brand/service outreach to its targeted customer segment, and achieve aims related to product/service promotion and/or selling. Out of the many types, viral marketing, according to Allen (2008, p 15), is a technique that uses social networks of other people so that they can propagate... This report approves that the social network, thus use the viral marketing to point out that important common factor between individuals that would bring them together. This move will thus allow these social networks to gather more and more individuals with various common interests and thus increasing the usage of the sites so that the survival graph stays high. This paper makes a conclusion that viral marketing and social networking are two terms which go side by side these days as the existence of one without each other is very difficult. Their collaboration in a smooth and steady ways is very beneficial and it is a great source of earning revenue as the economic conditions of the business world is collapsing all over. The two entities evolved with each other and they have created a revolution in the technological and economic world and cannot survive without each other. The field of viral marketing and social networking is a very dynamic field. It has many more novelties and better ways of achieving success to see in the coming years.If they remain on the same track then, further horizons will be opened for them in future years but the privacy of users and their trust should be valued more than anything. If people had not been so socially close to each other by social networking sites etc they would not have any means to enjoy and experie nce new launches in a comfortable way and to be able to share them quickly with other people of the same interests. Viral marketing has acted out as a tool that has provided a platform where entertainment interaction and marketing are collaborated in a fascinating manner.

What were the most important consequences of the Industrial Revolution Essay

What were the most important consequences of the Industrial Revolution for world history - Essay Example Traditionally, all family members relied on the head of the family for the provision of the dairy basic needs, and they all used to collectively assist him achieve this objective. The revolution led to the heads of family shifting and migrating away from home in search of employment to sustain their families. Their departure thrust women who were traditionally raised to be submissive to the males as heads of their households when their male counter parts were away. If problems persisted, these families could shift to nearby cities in search of employment in the emerging factories for sustenance. The widespread migration to cities2 made the towns overcrowded causing innumerable problems common even today due to high population growth rates and development of social vices. Lack of accommodation led to the establishment of slums characterized by poor infrastructures, lack of basic amenities like water and sewerage systems and this contributed to the emergence of various contagious disea ses often leading to catastrophic epidemics. The high number of labor supply led to low wages and high unemployment rates increasing the problems these migrants were facing. This is despite the industries requiring large workforces from the country sides3. The standards of morality depreciated rapidly with women and girls prostituting themselves for food. Women and children also copied vices such as drug and alcohol abuse from men and crime rates soared as people tried to survive. The new challenges facing the family and the social life made changes in the gendering roles of both men and women as women tried to fill their new roles. Women were increasingly given more authority and autonomy in making key family decisions in the absence of the patriarchal men, a trend being promoted even today. They were further employed in the emerging factories, and they had to learn new skills just like men to be able to fit in their work

Yeats’s Versification in ‘Adam’s Curse’ and ‘the Wild Swans at Coole’ Essay Example for Free

Yeats’s Versification in ‘Adam’s Curse’ and ‘the Wild Swans at Coole’ Essay How do the characters of Therese, Laurent and Meursault change after they have committed their respective murders? The protagonists in both the novels â€Å"Therese Raquin† by Emile Zola, and â€Å"The Outsider† by Albert Camus, ultimately commit murder. This is the turning point in both cases, and the way in which their various characters change because of this will be analysed and compared. In Therese Raquin, after the murder of Camille, both Therese and Laurent react at first with shock, Therese flying into fits of hysterics and Laurent with a rationality that seems to be his coping mechanism at first. However, as time passes, it seems as though the characters begin to relax again, although Zola foreshadows upheaval to come: â€Å"it was changing them, for a hidden process had taken place within them†. The first indication of this is their loss of passion; â€Å"love had lost its appeal, their appetite had disappeared the touching of their skin made them feel slightly queasy†. Their decision to get married brings up tortuous nightmares in L, as he imagines the corpse of Camille in the place of Therese’s body. This is the very beginning of the agonising torment that the two characters suffer as a result of the memory, perhaps even the guilt, of their crime. â€Å"Therese too had been visited by the ghost of Camille during that feverish night†. These imaginings and hallucinations, at times becoming palpable visions that convince them of the dead man’s existence, eventually drive the two characters over the brink of insanity. â€Å"The lovers’ panic grew worse, and every day their nightmares made them more demented and distraught†, before they even got married. They looked upon their forthcoming wedding as an alleviation to save them from their terrible imaginings. However, we see just how misguided this expectation is on their wedding night; they feel they are â€Å"still separated by a gaping chasm they dreamed that they had been violently separated and flung in opposite directions†. This signals the drastic changes to come about in their lives, and is highlighted by the dynamic verb â€Å"flung† and the emphasis on violence. They begin to believe the dreadful memory of Camille separates them no t only in their minds, but physically, feeling that â€Å"his body is still here between us, turning our limbs to ice†, and this idea stays at the foremost of their suffering – that the ghost of Camille is haunting them and making its presence felt. Zola portrays their response to this as they are â€Å"experiencing profound disturbancesthey found themselves in the grip of a common terror seized by a feverish delusion: they could touch the body, see it stretched out there like a greenish, half-putrefiedmass of decomposing humanity† which constantly stays in their awareness for the rest of their miserable lives. The physical and psychological anguish for the two â€Å"lovers† was so great that Therese â€Å"would have flung herself into the fire, had she thought that the flames would purify her flesh and deliver her from her pain† and Laurent being driven to distraction as he sees â€Å"five Camilles in front of him, created by the power of his own hands† simply because the playing of the dead man on his conscience is enough to take root in everything he does, whether it is painting or touching his wife. However, it is not clear whether the two characters actually ever feel any sense of remorse for their crime. Their terror is undeniably because of the act they committed, but probably down to the actual experience, and their fear of being discovered, than a sense of regret or guilt – Laurent even goes as far as to say that they would â€Å"chuck him in again if we had to†. Despite Laurent and Therese’s dread of being discovered, the forced endurance of psychological battering eventually causes them to confess their crime to Madame Raquin, when â€Å"Laurent had a kind of fit during which he talked like a man hallucinating†. We can question the basis of their terror of being found out by others, and whether it is guilt in that they believe they have done wrong, or simply their fear of the guillotine. However, we learn that â€Å"they were frustrated with their crime itself, and despairing that it had ruined their lives for good†, showing their utterly selfish nature in that they are repenting not because of the actual murder of a man, but because of the toll it takes on their own lives. Zola demonstrates the effects of this internal turmoil, as â€Å"it was inevitable that it would come to hatred in the end. They had loved each other like animals, with the hot passions of the blood; then, in the nervous upheaval following their crime, love had turned to fear and they had felt a physical horror at the thought of their embraces.† This acute hatred for one another takes shape as night after night, Therese and Laurent fight viciously, Laurent often striking Therese as she desperately provoked him; until their whole lives are swallowed up in this bitter feuding, a colossal irony considering their earlier passion and love, and their plotting of murder to allow themselves to live a life of luxury and sensual pleasures. Their animalistic traits are what governs them – and leads them into such a state that â€Å"they lived in a hell bitterly and cruelly†¦ trying to push each other over the brink of the precipice which they felt yawning at their feet, and into which they were in fact both already plunging†. The horror that Therese feels is perfectly depicted when she believes herself to be pregnant, and the thought fills her with such despair and dread that she â€Å"offers her stomach to [Laurent’s] blow. She allowed herself to be kicked almost to death in that way, and the next day she had a miscarriage†. Laurent, on the other hand, possesses none of Therese’s apparent rationality – he is driven to distraction, to the point that â€Å"he was literally afraid of Francois [the cat]and flung it with all his strength against the black wall†. Therese and Laurent experience these various stages of fear, hate, indifference, remorse (feigned so well that she ends up believing it) on the part of Therese, and depression. Laurent is described as having â€Å"all the lifegone out of his flesh†. The madness that they succumb to leads them to murder each other – yet, at the point of their ensuing deaths, the two discover that they need the unconsciousness of death; as it is the one place where their torment cannot follow them; â€Å"as they thought back over the past, they felt so weary and disgusted with themselves that they were filled with an immense need for rest, for oblivion. They exchanged a final glanceof gratitude, beforethe glass of poison†. There are some significant similarities with this process that Therese and Laurent undergo and that of Meurseault as he comes to terms with his murder of the Arab. In the early part of the book, the reader sees a Meursault devoid of a spoken consciousness and one who feels total adversity towards society and vice versa. Camus has juxtaposed his character against the norms of society to bring out his stark differences through the usage of Meursaults uncanny ability to register cold, hard facts. Meursault refuses to spend the time and effort required in connecting these facts. This narrative effect can be seen from the opening passage, Mother died today. Or maybe yesterday; I dont know. Here, we see Meursaults shocking indifference to his mothers death and his event stating quality. He merely recounts the dubious facts of his mothers death as plainly as the telegram had stated it. Throughout the whole process of his attending the funeral is treated with the same jarring coldness. Events and conversation are retold in a photo-journalistic like frankness, chronologically precise from the moment he catches the bus to time when he crawls into bed. Meursault is also one who has virtually no emotion, detached from basic human experiences of love and affection. This can be seen when his fiancà ©e, Marie, provokes an answer, She asked me again if I loved her. I replied, much before, that her question meant nothing or next to nothing- but I supposed I didnt. Curious, she then asks whether he would have given the same answer to another girl who had asked you to marry her, to which he replies in total honesty, Naturally. His inability to feel love is coupled with his almost animalistic mating-like quality where it is a question of when, not whom. His indifference, lack of emotion, and his way of reporting his impressions factually shows little involvement in society, as if he were an outsider, a spectator, who must judge objectively and it is from this that his estrangement from society be felt. Meursault; a middle class bachelor with a painfully simple life, is viewed as indifferent in the eyes of society. He does not care and is not ashamed of it. But his indifference is not one of callousness but stems instead from the â€Å"benign indifference of the universe† in relations to his own existence. The murder which signifies the end of Part One, unwittingly commits Meursault to the laws of society. He suddenly finds himself a victim of societal norms, the very thing he shunned. Here Meursault is obliged to accustom himself to society for his impending fate depends on it. He finds society absurd and it is through this experience that the reader comes to sympathize with Meursaults point of view and evaluates the absurdity of society. While being held, the prison guard discusses with him: â€Å"‘you’re being deprived of your liberty.’ I saw his point. Thats true, I said. Otherwise it wouldnt be a punishment.† Meursault finds this all completely baffling to the point that he has to talk with the warden to find out that prison deprives one of freedom which totally defeats the initial purpose of putting him in jail. While society tries to enforce its ideals on its Meursault, he acts in honest aloofness. In a conversation with the magistrate, In the same weary tone he asked me a last question: Did I regret what I had done? After thinking a bit, I said that what I felt was less regret than a kind of vexation. But he didnt seem to understand. The magistrate wanted to hear that Meursault felt guilty and sorry for what he had done. Instead, Meursault feels annoyance rather than regret, to the frustration of the magistrate. Faced with these challenges, Meursault attempts to make sense of what is happening around him and through it, tries to understand society. In his cell, he makes a conscious effort to learn about his new surroundings, I made a point of visualizing every piece of furniture, and each article upon it, and then every detail, so to speak: a tiny dent or incrustation, or a chipped edge, and the exact grain and colour of the woodwork. This symbolizes his willingness to acquaint himself with an entrapment which is alien to him: society and its workings. However, even on close inspection, he fails to make sense of it and this drives him father away from society. This is evident from an episode he had with his lawyer: â€Å"I wasnt to have any say and my fate was to be decided out of hand. It was quite an effort at times for me to refrain from cutting them all short, and saying: ‘But damn it all, whos on trial in this court, Id like to know? Its a serious matter for a man, being accused of murder. And Ive something really important to tell you.’† Meursault clearly feels frustration from this estrangement which fuels even more reason for his dislike of society and its morals. Through this, he gathers experiential evidence that society is indeed absurd and it does one no good to be a part of it, hence forging an even greater alienation from it. In the concluding chapters, Meursault accepts his fate which enables him to squarely face his death and come to terms with his position in this world. While undergoing this metamorphosis, Meursault discovers his independent consciousness. In prison, he relates, †¦I heard something that I hadnt heard for months. It was the sound of a voice; my own voice, there was no mistaking it†¦ the voice that for many a day of late had been buzzing in my ears. This voice he speaks of is his consciousness, spoken freely, unrestricted, and wholly accessible to his thoughts. This sudden enlightenment allows Meursault the grace of accepting his death. He rationalizes for the first time: â€Å"†¦Its common knowledge that life isnt worth living anyhow†¦ it makes little difference whether one dies†¦ the world would go on as before.† Although he does not wish his death, he embraces it as an end. It did not matter how or when he achieved this end for to him, all ends ended the same- in death. In the final moments before his death, the absurdity of society no longer bothers Meursault for now he deals with the greater elements of truth and reality. Meursault makes peace with himself, but not without a sudden purging of restrained convictions. He gets tangled in an argument with the prison chaplain who in the last moments of his doom, tries to convert him. In his rage, he reveals his ultimate assurance: that he â€Å"was sure of myself, sure about everything†¦ Id been right, I was still right, I was always right. Id pass my life in a certain way, and I might have passed it in a different way, if Id felt like it.† Meursault develops such a rational consciousness that it becomes his moral code of belief, his belief of truth. This sudden outburst gradually forces the felt but unspoken philosophy of his existence to emerge into the open, and to finally express itself in words. It was necessary too for it gave him a new sense of direction: â€Å"I, too, felt ready to start life over again. It was as if that great gush of anger had washed me clean, emptied me of hope, and, I laid my heart open to the benign indifference of the universe†¦ Id been happy, and I was happy still.† Meursault at last finds peace within himself. Alienated from society and life itself, he finds honour in death, taking nothing from this world with him, because it gave him nothing. Thus, Meursaults journey towards discovery (and, ironically, death) can be seen as a celebration of the human consciousness, grounded in the human spirit and its ability to overcome the absurd, to triumph when failure seems so imminent. Meursault finally realizes his estrangement from society and disregards what society thinks about him – as long as he is happy with who he is and what he had done. This is on a whole separate level to the feelings of Therese and Laurent: while all three find death a means of escape, and wish it on themselves, they view it as a comfort, to end their tired, self-destructive lives, whereas Meursault seems to find happiness and fulfilment in the idea that he is reaching his destination.